“Bad Egg” selected by Midnight Audio Theater and HEAR Now Festival

My latest audio drama called Bad Egg was selected to be produced by Midnight Audio theater as part of their scriptwriting competition. Then it was selected by the HEAR Now festival of audio fiction to be played as part of their Platinum Listening  at the festival.

Platinum level was the highest level they had! (Above gold, silver, and bronze.)

Check it out at: Bad Egg.

Reviewed on Radio Drama Reviews

I keep forgetting to post that we were reviewed on Radio Drama Reviews, and it was a really great review at that. You can read it here: http://www.radiodramareviews.com/id1774.html. The reviewer (Lawrence Raw) really understood that I was going for some big themes in this.

Here’s my favorite quote: “[Makes] intelligent use of a variety of sonic resources to create an imaginative world at once different from yet uncomfortably similar to the worlds we inhabit.” 

A rant about a review

I just discovered someone else reviewed The Sting of the Dark Tower. I will let him remain nameless. I keep thinking about one of my favorite plays, “The Real Inspector Hound”, where Tom Stoppard mercilessly skewers theater reviewers. I know how he feels.

Basically, this guy is huge a C.S. Lewis fan. That’s great — so am I. But he seems to be confusing what my characters say with what I believe. He was clearly outraged that near the end, Eleanor says, “Screw C.S. Lewis” and “If you want old science fiction, you can do way better than him.” Completely missing the point that Eleanor is trying to distance herself from C.S. Lewis in order to get in Juniper’s good graces, who has lumped Eleanor and Lewis together as “humungous prudes”.  Oh, and in the second half, Orfieu refers to Lewis as “Clive”. Anyone who has read even the C.S. Lewis wikipedia page knows that no one called him Clive. This reviewer claimed I knew nothing about Lewis. News flash: it was inaccurate on purpose. Remember, the second half of the story is invented by Juniper. It was a little message to show to anyone who really knows about C.S. Lewis that this second half was clearly not based on anything having to do with Lewis at all. Ah, well.

Tom Stoppard, you have my sympathies.